One of the exercises that I practiced on one of the writing courses was to create beginnings.
The beginning is important to any writing.
There are different styles of beginning this one – the “Third Person Objective.”
The Third Person Objective depends upon a narrator overlooking the proceedings (from outside the story).
This narrator having no interest in any of the characters. He can describe each without bias and has a great insight into the entire proceedings.
This is a style that is hard to do well. In fact I can’t recall reading any fiction written in this style.
One problem is: if the reader is receiving the story via a disinterested messenger it is hard for them to have sympathy for any of the characters. This can result in reduced emotional involvement in the story.
Without any attachment to the story, why keep reading?
My beginnings all involve what was my favourite character for a long time “Dave the Effective Detective”.
Unfortunately whilst I loved the character I couldn’t find a suitable story for him.
Perhaps he’ll pop up as suitable for something in the future.
The Third Person Objective Beginning
There lies our hero, as unlikely a hero as you are likely to meet. Forty, chubby, unadventurous; such is the stuff that the fates have to work with.
Right now he is slumbering, dreamless, drooling a little into his pillow. His equally chubby wife snoring loudly at his side.
But – on awakening, the story of the rest of his life will begin.
Dave Cooper an accountant with Huntchett and Spendler. (An old and quite prestigious firm).
An accountant of some respect among his peers.
Never failing to make taxation savings for his clients. Never-failing to disguise the true extent of earnings using some clever legal loophole. Never-failing to make a healthy salary.
So, how is it that Dave still drives an elderly car? How can it be that Dave has never left this three-bedroomed semi (purchased twenty years ago)?
Why are the suits, hanging in a neat row in his wardrobe, both worn and unfashionable?
Why is it that today, his fortieth birthday, he will see that his whole life has been a waste of the breath that he expended?
How can a man so respectable sit this very afternoon hunched in his car trying to end his own life?
Why should Dave, an accountant (let’s not forget) of little imagination, become a mumbling simpleton of little use to anyone.
More to the point, how does this make him the hero of our story?
See my next post on beginnings here: